Same Field.
Another World.
The 1993 festival. Unfiltered, unnarrated, and unlike anything else in British music film. The year is 1993 — the last of the great old-school Glastonburys, before the BBC arrived, before phone masts, biometric tickets and wall-to-wall coverage. A hundred thousand people in a Somerset field, completely unobserved, completely themselves. A group of young film-makers captured the whole thing in rich, glorious Cinemascope: not the headline acts on the Pyramid Stage, but the real festival — the stone circle at sunrise, the rave tents and wandering performers, the parachute games and the Krishna food queues. The Verve in their very first festival appearance. Spiritualized spending their entire fee on a fireworks display. Porno For Pyros. The Orb. The Lemonheads. The music, the magic, the midsummer madness. No voiceover. No talking heads. No presenter telling you how to feel. Just Glastonbury, as it was.
Trailer DCP available on request — contact us
Shot across one festival in June 1993, Glastonbury The Movie captured a loose, generous, wide-screen document of a moment that would never quite return.
For the 30th anniversary, the film has been rebuilt in 4K from the original camera materials. The cut is restored. Scenes are added. The frame is wider than most audiences have ever seen it. And in 2026 — a fallow year for the festival itself — it is once again the only way to stand in that field.
The level of detail is astounding. In a big room, on a big screen, with the Dolby system turned up, it is a unique, time-machine journey into one of the best of the old-school Glastonburys. A dewy-eyed nostalgia trip for one generation, and a pin-sharp, eye-opening exploration for the next. If you were there, you’re in it. If you weren’t, you’ll wish you were.
The film became the first British production backed by the newly-formed National Lottery, and its original theatrical release in 1996 drew an audience who recognised something they knew would soon be changed forever. Thirty years on, it is a record not just of a festival but of a country that no longer exists in quite the same way.
Richard Ashcroft and the band's debut festival performance, captured before anyone outside of Wigan knew who they were.
In full force. Spending their entire fee on fireworks.
Performing Little Fluffy Clouds under Somerset skies.
Peaking in '93.
Panavision CinemaScope anamorphic negative. The format demanded commitment; audiences now see what the commitment yielded.
With no festival in 2026, the film offers the only way back to Worthy Farm this summer.
"It's a masterpiece."Mike Leigh
"Marvellously honest. Beautifully shot. The most impressive festival movie this reviewer has seen."Time Out
"Blissed-out, almost Pasolini-esque… could almost be footage of a medieval fair that had somehow plopped through a time rift."Robbie Collin — The Daily Telegraph
"You won't get a more accurate feel for what Glastonbury is… the soundtrack is superb."★★★★NME
"A past in which anti-consumerism was a viable lifestyle choice, and dancing in a field could still be construed a radical act…"★★★★Laurence Phelan — The Independent
"A genuinely masterful addition to recent social history."★★★★★Dan Carrier — Camden New Journal
"The definitive account of Glastonbury on the big screen."Critic's Choice — The Scotsman
Secure online screeners are available to critics, programmers and press.
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Mensch Films Ltd
Hackney, East London